Phil Starke Studio Newsletter - January 2024
Phil Starke is a professional fine artist with prestigious gallery representation, participates in national museum exhibitions, and teaches workshops and online fine art courses.
PHIL STARKE STUDIO NEWSLETTER
January 2024
Happy New Year Everyone, I’m on a roll in 2024, so far I’ve sent a newsletter every month!
I don’t do resolutions but I do want to keep in touch more this year and let everyone know what's going on.
This winter has been wet and somewhat cold, the chickens are surviving although not producing as many eggs.
I’m just finishing up my 2 pieces for Settlers West Miniature Show. Both are 9x12, one, "Sunday Morning", is from San Patricio New Mexico, it's a beautiful ranch area in Southern New Mexico. I always go through there on my way back to Tucson.
The second painting is from "The Shoshone River" between Cody Wy and Yellowstone. It's a great stretch of rocky cliffs and aspens in the fall. I do have to watch out for the occasional buffalo and grizzly.
Also on the easel this month is a painting from Leipers Fork, Tennessee. "Late Summer, Tennessee" is a 20" x 30". Leipers Fork has a lot of horse ranches and beautiful old barns.
I have an online demonstration coming up on January 23 at 6pm. The topic will be "4 Keys To Painting Winter Trees", I’ll be talking about and showing how to render and suggest the light on winter trees without being too detailed. I'll be sending out a letter in the next few days with all the details.
I hope you enjoy the newsletter!
Phil Starke
In This Issue
Quick Links
Workshop Schedule
Recommended Video Downloads For January
Learn how to simplify the shape, the value, and the colors of trees and learn how to use values to enhance your trees and brushwork to achieve the texture of the foliage. A photo reference is included.
How you handle detail can kill a painting or enhance it. Broken color lets you to add detail without a value change, allowing you to create the impression of detail without creating a "busy" painting that doesn't work.
ARTIST AT A GLANCE
Taos Society of Artists - 1915 thru 1927
This month, instead of picking out one artist to talk about, I thought I'd talk about a group of very important artists who formed the Taos Society of Artists. Below is part of an article from the taos.org website.
The movement began when Joseph Henry Sharp first visited Taos, New Mexico in 1893, drawn by the magnificent high mountain light and captivated by the people of Taos Pueblo and the landscape they lived in. He was followed five years later by artists Ernest Blumenschein and Bert Phillips, who planned to stay in Taos only a short time but were so enamored of Taos that they sold their horse and wagon and decided to stay a while.
In July of 1915, Sharp, Blumenschein, Phillips, and three other artists—E. Irving Couse, Oscar E. Berninghaus, and W. Herbert Dunton formed the Taos Society of Artists. These “Taos Six” were later joined by a further six artists, five men and one woman: Catharine C. Critcher, E. Martin Hennings, Julius Rolshoven, Kenneth Adams, Victor Higgins, and Walter Ufer.
The style of art embraced by the Taos Society of Artists was motivated by a desire to faithfully, if romantically, represent the people and landscapes of the Southwest. Many of the artists had studied in Europe, and although the influence of this training was perceptible in their works, their collective artistic character developed into a truly American school of painting.
The work of the Taos Society of Artists embodied a very specific—and unique—time and place. Through this work, the artists shared the wonder of Taos’ beauty and culture with the nation and the world, drawing more artists and art lovers to the area every year. Although the society existed only from 1915 to 1927, later artists built on the growing reputation of Taos as an art colony to create their own expressions of Taos’ people and landscape.
Available Paintings
Available Plein Air Paintings & Studies
I've posted a few of the available paintings on my website. So, if you're interested, you can check it all out by looking at the top of this page and clicking on the menu link, or you can just click this link: PLEIN AIR & STUDIES
In the not-too-distant future, I plan on adding a section of AVAILABLE PAINTINGS, which will display the work that's available through galleries.
You can always email me if you have questions about anything on the website.
WHAT'S PLAYING
My YouTube Channel
There are currently 161 tutorial videos on my YouTube Channel and I try to add a new video every 3 days. If you haven't had a chance to check it out, I'm inviting you to stop by and see if I can help you with some of your stumbling blocks or to increase your knowledge base. Here are two of the latest video tutorials.
There's a lot going on over there, so please stop by, SUBSCRIBE, and leave a comment! Here's the link: https://www.youtube.com/@philstarke.artist
ARTIST TIP
Working From Memory
As an artist I'm drawn to a variety of subject matter, from mountain ranges to my wife cooking in the kitchen. There is conventional beauty as in a sunset or arrangement of flowers and beauty found in the arrangement of shapes, values and subtle changes of color no matter what the subject. The best subjects are the ones I stumble upon when I don't have my paint box, drawing pad or camera (yes, I do use photography). Being unprepared is the best time to exercise your memory and imagination. The camera is too static, it's hard to break away from the framed images and use your imagination to improve on technique or composition. All the things I do when I'm not painting offer the best chances for exercising my imagination. Sitting in church and watching the light from the window fall on the side of someones face, the arrangement of vegetables at the market, or traveling through the countryside, which I do several times a year, and seeing all kinds of compositions. During these times I play the scene over and over in my head trying to remember large shapes and temperature contrasts. Then when I finally get to my motel room, I can put the scene down in pencil or on a 6 x 8 panel in oil or pastel, again just the major shapes that made up the quick glance out of the window.
I was at the dog park recently, close to sundown. The clouds were beautiful and instead of fooling around with the camera, I could just watch the last 15 minutes of the sunset, making mental notes of simple shapes and color notes, thinking in terms of primary and secondary colors. Then take my dog home and do a quick 6 x 8 color sketch and do 3 or 4 more to see how I can improve on technique or texture.
Have you signed up to get my free Newsletter?
Don't miss out on all my great content!
If you have friends who would enjoy this newsletter, please share. Thank you!
EDUCATIONAL RESOURCES
PAINT WITH CONFIDENCE FAMILY OF ONLINE COURSES
DOWNLOADS - WORKSHOPS - RESOURCE LIBRARY