Phil Starke Studio Newsletter - June 2024
Phil Starke is a professional fine artist with prestigious gallery representation, participates in national museum exhibitions, and teaches workshops and online fine art courses.
PHIL STARKE STUDIO NEWSLETTER
June 2024
Summer is upon us! We ended May with a trip to New York City visiting our son and his family. We spent some time at the Metropolitan Museum of Art, revisiting some old friends there .
The 113th Annual California Art Club Gold Medal Exhibition will be on display from August 20 to October 26, 2024, at the Hilbert Museum of California Art at Chapman University, 167 North Atchison Street, Orange, CA 92866. My entry this year is "Yosemite Evening", a 24" x 30" oil painting from a painting trip to Yosemite I took 2 years ago. Evening light on the cliffs of Yosemite are amazing. I painted fifteen 8" x10" paintings while I was there and used one of them for the Gold Medal painting.
I’m also working on several paintings for "Oh Be Joyful Gallery" in Crested Butte, Colorado.
NEW WORKSHOP WEBINAR
I hope you enjoy the newsletter!
Phil Starke
In This Issue
Show Schedule
Leipers Fork, TN
Date: TBD
Buffalo Vill Art Show & Sale
Cody, WY
Sept. 20, 2024, 5 PM - 10 PM
Settlers West "Great American West Show - Tuson, AZ
Nov 2024
Workshop Schedule
Quick Links
ARTIST AT A GLANCE
Maynard Dixon - 1875 to 1946
Born in Fresno, California, Maynard Dixon was largely self-taught as an artist. His first sketches were of the Western landscape. In 1893 he attended the Mark Hopkins Institute of Art in San Francisco, but withdrew after only three months. That same year his first illustrations for the Overland Monthly appeared, beginning a long association with that periodical.
For the next fifty years Dixon traveled and lived throughout the American West. His illustrations of the people, landscape, and lifestyle of this region won him an enduring place in the history of Western artists. Maynard Dixon had a way of simplifying the landscape and capturing the Southwest light. In 1920 Dixon married the noted documentary photographer Dorothea Lange. Her unique vision was certainly an important influence on the development of his own realistic approach. Aside from his magazine illustrations, Dixon worked prolifically in other media, illustrating novels, painting murals in several cities, and even writing poetry.
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1:1 LIVE CALL WITH PHIL
1:1 Coaching Session
with Phil Starke
If you'd like a critique of your work, or help with a review of your paintings for a show, or just a personal Q & A session, I can get you through tougher issues to help you gain momentum and get to the next level. Gain personalize insights and guidance from me, ensuring your time in the studio becomes more successful and more efficient to accelerate your progress.
The coaching session will provide the benefit of a LIVE ZOOM call with me, and the recording of our session.
Rewatch your session with me again and again so you'll never miss a valuable insight.
WHAT'S PLAYING
My YouTube Channel
My YouTube Channel has over 200 videos and I try to add a new video every 3 days. If you haven't had a chance to check it out, I'm inviting you to stop by and see if I can help you with some of your stumbling blocks or to increase your knowledge base. Here are two of the latest video tutorials.
There's a lot going on over there, so please stop by, SUBSCRIBE, and leave a comment! Here's the link: https://www.youtube.com/@philstarke.artist
ARTIST TIP
Using A Palette Knife
Early in my career when I thought of a palette knife, I thought of the guys on TV who used a knife to lay in half the painting in thirty seconds or to paint the same stylized tree every time. Now I think of Richard Schmid (painting shown) using a knife to flatten a ground plane in the foreground or Trevor Chamberlain using a knife to soften edges or to flatten a dark plane against a light plane. The palette knife is a good tool to use when you want to simplify a passage in your painting or flatten it against a busier area. When the paint gets too thick in the darks and the heavy brushstrokes cause glare, use the knife to flatten the thicker paint so it can't reflect the light. A couple of strokes with a paletteknife can be a nice contrast against a bunch of short choppy brushstrokes. I use the knife a lot to mix bigger piles of paint in the studio for large paints. It's hard to mix big piles of paint with the brush. So go get a couple of knives ( small and medium size) but watch out for the sharp edges!
You might also enjoy the YouTube video I did "When To Use A Palette Knife". Here's the link: https://youtu.be/7yFHGto-gb8
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