Newsletter 2024 March - Phil Starke Fine Art

Phil Starke Studio Newsletter - March 2024

Phil Starke is a professional fine artist with prestigious gallery representation, participates in national museum exhibitions, and teaches workshops and online fine art courses.

PHIL STARKE STUDIO NEWSLETTER

March 2024

I'm ready for Spring!   March has been a busy month so far. I started out with a workshop in St. Louis at the heartland Art Club. It was a great group of artists. We worked on creating drama in our paintings, focusing on value and color temperature contrast.
This past weekend I had an open house for my show at the Big Horn Gallery in Tubac, AZ.  Thank you to the staff at the Big Horn. They did a great job. It was good to see everyone from the gallery, meet a lot of collectors and get back to Arizona. 

I just finished a five-day workshop in Tucson with the Scottsdale artists school. This is a great time of year to paint in Tucson. The weather is good and the rattle snakes aren’t out yet. It was a great workshop. I enjoyed all the students and we had a fun night out to dinner together. 

Stay tuned for information about an upcoming live demonstration on using broken color in your painting.


I hope you enjoy the newsletter!
Phil Starke

In This Issue

  • Artist At A Glance - Ernest Blumenschein
  • Coaching Session with Phil
  • Exhibition & Gallery Show Schedule
  • Workshop Schedule
  • What's New in My YOUTUBE Channel
  • Artist Tip
  • Educational Resources

Show Schedule

Leipers Fork, TN
Date:  TBD
Fall, 2024


Workshop Schedule


Quick Links

ARTIST AT A GLANCE

The Art of Ernest Blumenschein - 1874 to 1952

Blumenschein was born in Pittsburgh, and raised in Dayton, OH, the son of an accomplished professional musician. Though his early training was in music, his artistic talents led him to enroll in the Art Student’s League in New York City in 1892. By 1894 he was studying at the Academie Julien in Paris, France, with fellow Americans Bert Phillips, Eanger Irving Couse, and Joseph Henry Sharp, who were to be his friends and colleagues for life.

In 1896 he began a very successful career in New York City as a periodical and book illustrator. His first trip to the Southwest was made in 1897, and a year later he and Bert Phillips spent the summer in Taos, New Mexico, the only professional painters working there at the time. Phillips settled in Taos; Blumenschein returned to New York. Blumenschein resumed studies in Paris in 1899, and lived there until 1909.

In Paris he met and married American artist Mary Shepherd Greene. Upon their return to New York, both taught at the Pratt Institute and he also joined the faculty of the Art Students League. By 1910 he had been elected an Associate Member of the National Academy of Design, and was devoting nine months of the year to commercial art in New York and three months to his own work in Taos. In 1912 he helped form the Taos Society of Artists. When he and Mary settled permanently in Taos in 1919, he broke all ties to his commercial career.

Blumenschein won almost every major honor awarded artists in the United States. He was elected a full member of the National Academy of Design in 1927, he was honored in 1948 with the first retrospective exhibition ever held at the Museum of New Mexico in Santa Fe, & his work continued to be exhibited and acclaimed in the United States, Europe, & South America. (This article is from the "Art In Embassies" website.). Below are a few of Blumenschein's paintings.

  • Image 1

  • Image 2

  • Image 3

  • Image 4

  • Image 5


1:1 lIVE CALL WITH PHIL

1:1 Coaching Session
with Phil Starke

Join me in a one-to-one personal coaching session to accelerate your progress with your painting.  Gain personalize insights and guidance from me, ensuring your time in the studio becomes more successful and more efficient.  If you'd like a critique of your work, or help with a review of your paintings for a show, or just a personal Q & A session, I can get you through tougher issues to help you gain momentum and get to the next level.

The coaching session will provide the benefit of a LIVE ZOOM call with me, and the recording of our session.
Rewatch your session with me again and again so you'll never miss a valuable insight.

WHAT'S PLAYING

My YouTube Channel

My YouTube Channel has 182 videos and I try to add a new video every 3 days. If you haven't had a chance to check it out, I'm inviting you to stop by and see if I can help you with some of your stumbling blocks or to increase your knowledge base.  Here are two of the latest video tutorials.

There's a lot going on over there, so please stop by, SUBSCRIBE, and leave a comment!  Here's the link:  https://www.youtube.com/@philstarke.artist

ARTIST TIP

When Good Painting Trips Go Bad!

Have you ever been on a painting trip all excited and pumped about what you were accomplishing - visualizing wonderful, larger studio paintings - only to get home and the paintings look flat and the photographs, as usual, look nothing like what you remember?  It's times like these when I have to work hard at improving the reference, stretching myself to make more progress as an artist, using imagination to see how many different compositions I can come up with, or forcing myself to do more color sketches with a variety of color schemes.

Two books that I recommend for compositions are John Carlson's Guide To Landscape Painting which has a good chapter on composition and one on planes and angles of the landscape.

The other is Composition of Outdoor Painting by Edgar Payne.  I've used both of these books to bring out what I needed to work on.

Have you signed up to get my free Newsletter?
Don't miss out on all my great content!

If you have friends who would enjoy this newsletter, please share.  Thank you!

EDUCATIONAL RESOURCES

PAINT WITH CONFIDENCE FAMILY OF ONLINE COURSES

DOWNLOADS - WORKSHOPS - RESOURCE LIBRARY

Jennifer (Jen) Randolph - March 19, 2024

Hi Phil, I trust you enjoyed your time in AZ as did I. We went to Salt River to be with the wild horses. It was amazing to sit near a bush and observe over 30 horses over the course of late afternoon. Unfortunately my auto focus was off when I thought it was on but I managed to get a few decent references. I haven’t wanted to pester you about a workshop in Ridgway in 2025. Have you given any more thought to that? I’d like to schedule a date if possible. I just started up a new plein air group and 16 have signed up so far. Some are very accomplished artists and some, like me with little to no experience. We will begin painting in May and will be part of the state group. I look forward to hearing from you.
Sincerely,
Jen (Randolph)

Comments are closed